Showing posts with label Harold Preece. Show all posts
Showing posts with label Harold Preece. Show all posts

Sunday, October 6, 2019

The Carnival, The Girl, and The Smitten Teenager by Todd B. Vick

“There were many women in the brief life span of Robert Ervin Howard. And yet there were few.”—Harold Preece, Fantasy Crossroads, vol.1, no. 3, May 1975
Novalyne Price
1927 yearbook photo
Daniel Baker College
Often when fans think of Robert E. Howard and women, images come to mind of BĂȘlit, Valeria, Yasmina, or any other number of female characters Howard created. Some may think of his mother, who devoted her time and life supporting her son. Perhaps more ardent fans (and Howard scholars) wonder if the notion that he had relations with a prostitute in Mexico is, in fact, true. There does seem to be strong evidence for such. There is also the “Sunday school girl” Howard discussed with his colleagues in The Junto. Someone Preece admits they all were worried could possibly have tied Howard to a conventional “churchy woman.” (Preece 21) Maybe some fans think of Novalyne Price Ellis, who dated Howard for several years toward the end of his life. Whatever the case, perhaps only a handful of Howard aficionados and scholars recall the carnival girl whom a smitten Howard encountered at the tender age of 15.
There is next to nothing written about the events of Howard’s life at age 15, when he visited a carnival, perhaps local to Cross Plains but maybe elsewhere, and encountered a female carnival worker. Apparently, she was like a strong west Texas dust devil scurrying across the plains, who immediately swept Howard up, if only from a distance. Howard never mentioned this girl in his letters, to anyone. Moreover, one of his closest friends, Tevis Clyde Smith, who had written somewhat extensively on Howard’s life, never mentioned her in any of his writings. In fact, none of Howard’s closest friends or correspondences who have written anything we have copies of (e.g. essays, letters, interviews, articles, etc.) ever mention this girl, except one—Harold Preece. 

In the May 1975 issue of Fantasy Crossroads (book three volume 1), contains an article by Harold Preece titled, “Women and Robert Ervin Howard.” In this article, Preece discusses a private conversation he had with Howard in Cross Plains when Preece visited the Howards at their home, just six or so years after the carnival experience. Preece explains:

The full—yet awfully thin, story—came out during the one weekend that I spent with the Howard family. The year was either ’28 or ’29. I can remember the fondness with which Mrs. Howard gazed at her maverick son—but, also, the graciousness with which she treated me as a guest knowing her Dallas nieces, Maxine and Lesta Ervin. She would have undoubtedly known the nice Sunday school miss. But probably this conventional matron had never heard of the carnival girl. (Preece 21)

The idea that Mrs. Howard likely knew nothing about the carnival girl is probably correct. There were various things Howard kept from his mother, some out of embarrassment to himself, and others if for no other reason than she might get upset.[1] And like all of us do, he experienced things he simply wanted to keep to himself. Even so, Howard confided in his friend regarding the carnival girl.
           
Preece provides no description of the girl, which likely means Howard may have never given one. So, what she looked like is lost. In Preece’s article, he attempts to interpret why Robert may have been smitten with this girl. “Carnies—a wild breed—interested him because they lived free of the rules that govern solid home folk.” (21) At its core, this idea is very Howardian, but its not likely the whole reason Howard may have been taken in by her. “He stood there spellbound when he saw her moving around the midway.” (21) Other than a particular beauty that a 15-year-old Howard may have favored, how could this carnie girl have captured young Howard’s immediate attention? Preece surmises that, “she would have been easily identifiable as a ‘despised show woman’ in any of the little towns played by the rambling carnival. By her cosmetics and her hairdo —eyed jealously by inhibited local ladies—by her lascivious walk and her general air of not giving a damn about not being a nice girl.” (21) Preece certainly paints an interesting picture of Howard’s telling of the circumstances. One can easily see why Howard might like her since she smacks of everything he may have found appealing: different, mysterious, free, beautiful, and an uninvited kind of character that Howard was fond of incorporating into many of his stories.
            It is not known whether this carnival (or fair as the case may have been) was a local event or an itinerant show. It is not likely that the show was local, like the annual fair and rodeo held in Cross Plains nearly every summer and typically sponsored by someone such as the local Fire Department. If that were the case, this carnival girl may have been a local girl, unless they hired outside workers to come in and help. There was such an event in Cross Plains on July 21-22, 1921 and a write up about it in the July 29, 1921 Cross Plains Review. But Preece’s retelling of Howard’s experience does not seem indicative of a local event. No, it seems closer to an itinerant carnival or an out of town event. It is also possible that this carnival may have been in a larger town, like Abilene or Brownwood, and the Howards traveled to attend it. In fact, back in 1921, both Brownwood and Abilene hosted various carnivals and fairs in their respective towns. The American Legion held several rodeos/carnivals in Brownwood,[2] and Abilene hosted a traveling carnival that is still in existence today.[3] It would not have been unusual for the Howards to have traveled to either town, especially since Mrs. Howard had at one time lived in Abilene and the Howards also knew people in Brownwood.
            Whatever the case may be, a 15-year-old Howard spotted this girl, and being taken in by her, he watched her until she “disappeared behind a tent with a man—likely another carnie—for whom she had probably been waiting.” (22) According to Preece’s recollection, the girl’s occupation at the carnival was not known. She was likely spotted by Howard somewhere on the midway, perhaps close to the gaming or show booths.

She may have been a dancer—maybe the mistress of the character who “barked” the show. Or she could have been a shill for one of the “pitches” stepping up to make a fake purchase of some dubious ware to attract customers not getting their money back. She might have been a gypsy or just some Midwest girl gone wrong.
     Whoever or whatever this sensuous wench, she made a lifelong impression on an already impressionable 15-year old boy. (22)


After she disappeared behind the tent with one of her fellow carnies, Howard did not see her again. Taking this account into consideration and given the fact that Preece recalls that Howard was quite taken by this girl, one wonders whether he incorporated her into any one of his numerous female characters. Preece thought Howard might have done just that. “Subconsciously or otherwise this actual maverick woman may have been his model for all the fantasized ones due to be born of his ripened talent, years later.” (22)
            It is at least interesting to imagine that Howard may have used his memory of her for a female character for, perhaps, one or more of his Conan yarns. Could she have been the model for a blonde-haired mercenary named Valeria? Or could she have been the woman in “The Frost-Giant’s Daughter,” whose “body was like ivory to his [Conan’s] dazed gaze . . .” (Howard 32) Perhaps Howard used her as the model for BĂȘlit, who was “untamed as a desert wind, supple and dangerous as a she-panther.” (127) There are any number of possibilities where Howard may have used her. Or it may be that he simply kept her to himself, choosing to tell only his friend, Harold Preece, perhaps in an attempt to make her real again in the telling. Whatever the case may be, she certainly left an indelible impression, and I for one, am glad that Harold Preece chose to share Howard’s experience with his fans.

Works Cited
Howard, Robert E. The Coming of Conan the Cimmerian. New York: Del Rey, 2003.
Preece, Harold. "Women and Robert Ervin Howard." Edited by Jonathan Bacon. Fantasy Crossroads, May 1975, 20-22. (Volume 1, Number 3)



[1] In one of Howard’s letters to Clyde Smith, Howard attempts to avoid writing a biography about himself for The Junto, for fear certain things about himself might get back to his mother (CL3.487-488)
[2] See The Cross Plains Review, Vol XII, No. 11, May 20, 1921.
[3] In Abilene, Texas a city fair was established in 1881, which later became a county fair, and eventually became The West Texas Fair and Rodeo. By 1921, this fair in Abilene would have been a county fair with an itinerant carnival coming in to set up its show.

This article was originally posted at James R. Schmidt's blog: MightyThorJRS

Thursday, April 14, 2016

Robert E. Howard and the Amateur Press (Part 3) by Bobby Derie

3: The Junto

I feel that it gave Bob a specialized, intimate, if small, sort of audience that he need. Most of its readers were rebellious young intellectuals in that epoch of the depression. Bob’s fire and spirit symbolized all sorts of protests—expressed and inchoate—that we felt, though only in a very limited sense was he any kind of political rebel nor at all any sort of slogan shouter or cliche monger. (BT 177)

After graduating from Howard Payne, Robert E. Howard was drawn into a new amateur press association created by his friends Harold Preece and Booth Mooney, both ex-Lone Scouts, which they had cooked up after a meeting in San Antonio. They called the venture The Junto, after Benjamin Franklin’s paper; contributors would send their material to the editor (initially Mooney), who would prepare a single typewritten copy that would be circulated to each the first member on the mailing list, who would add their comments and send it to the next, and so on. Contributors included Harold Preece and his sisters Lenore, Katherine, and Louise; Booth Mooney and his brother Orus; Robert E. Howard and his cousin Maxine Ervin; Tevis Clyde Smith, Truett Vinson, Herbert Klatt, and others. (BT 129, TJ 22) Given the circulation system, the fact that so few “issues” of the Junto survive should not be surprising.

The Junto Vol. 1 No. 7
Image supplied by Howardworks.com
The contents of the Junto included poems, fiction, essays, sketches, and rants—the typical bread-and-butter for any APA—with subjects including women, politics, and religion, all of, which served as fodder for Howard’s growing correspondence with various members of the Junto gang. Howard recruited Smith (“I’m going to give your name to Booth Mooney as a possible subscriber to The Junto; a pretty good paper for that type.” CL1.190; see also “A Pretty Good Paper” - The Junto, Part 1), was glad to see things by his friends in an issue (CL1.219, 231), and was disappointed when they didn’t (CL1.197, 231, 247-248). It also proved an occasional source of argument.

One of the early controversies involved “One of the Hell Bent Speaks” signed by “A Modern Youth” (A.M.Y.), in the October 1928 issue (vol. 1, no. 7). This fostered a great response from the Juntites, with Howard himself stirring the pot (CL1.231, 239-40, 244, 253; Rob Roehm goes into greater detail of the affair in “A Pretty Good Paper” - The Junto, Part 2 and Part 3). In one issue, the Junto gang had decided to have some fun writing each other’s biographies, but Bob wrote to Clyde Smith begging off:

I have forgotten whether you or Truett were to write my biography but at any rate I’ve decided I don’t care to have mine appear in the Junto. There are several reasons, the main one being that as several of my cousins receive it, my mother would be pretty near bound to hear about it and there are a good many things in my life that I don’t want her to know about. Another thing, I don’t care to have my inner self bared before the readers of the Junto because I have decided that some of them are crumbs. Understand, you have my permission to write anything you want about me in a novel, biography or anything that comes under the title of professional art, and that you will get money for, but I don’t wish to drop my mask before the Junto readers as I have dropped it before you and Truett. (CL3.487)

This was probably in reference to Mooney’s call for autobiographies from the Juntites. (see “A Pretty Good Paper” - Part 3 and Part 4). Lesser arguments concerned a “pornographic” turn—apparently James S. Strachan included a study of a “naked negress” (CL1.355, Part 5).  The Junto continued under Mooney’s editorship from April 1928 to spring 1929, when he no longer had time for it, and the position was picked up by Lenore Preece. (TJ 22-23, Part 6)

The first issue under Preece’s editorship was to have been the June 1929 number (vol. 2, no. 1), but a new Juntite lost the issue (and was quickly expelled), so the first proper issue of her run was July 1929. (TJ 23) This issue included Harold Preece’s article “Women: A Diatribe,” about how there was no such thing as intellectual women; it was designed to get a rise out of Bob Howard—Bob and Harold had been arguing about the same subject in his letters (CL1.287-292)—and apparently worked. (BT 176-177, Part 7)

By spring 1930, reports of the Junto were fewer in Howard’s letters (CL2.17, 30), and apparently feedback from the Juntites was poor, so Preece decided to discontinue the paper. (TJ 23-24) For the nature of its composition and the period in which it was published, the Junto had provided a valuable resource for Howard, not so much in refining his prose or poetry, or even as a creative outlet, but simply for the connection with a wider group of writers, even amateurs, which provided him much-needed encouragement, criticism, and companionship.

The final echo of the Junto saga was a proposal by Juntite Alvin P. Bradford to self-publish a small collection of their poetry, under the proposed title Virgin Towers. (TJ 24, CL2.195) Howard sent Bradford copies of his poems, but ultimately nothing came of the endeavor. (CL2.198) In 1932, Lenore Preece, Clyde Smith, and Robert E. Howard approached Christopher House to publish a collection of poems to be titled Out of the Sky, but asked for the return of the manuscript. (SFTP xxvi, CL2.245)

As the business with The Junto wound down, however, Howard began to correspond with someone who would bring him into touch with the burgeoning fan press for science fiction and fantasy: H. P. Lovecraft. In an early letter to Lovecraft, who had responded positively to one of Howard’s poems, Bob modestly replied:

I am glad you liked “Reuben’s Brethren”. It has never been published save in a small privately circulated paper. (CL2.126)

The original publication for “Reuben’s Brethren” was The Junto as “The Skull in the Clouds.”

The Junto (not counting comments by Robert E. Howard):
  The Junto (vol. 1, no. 6) - Sep 1928 - “Age”, “Surrender--Your Money or Your Vice”, “Them”
  The Junto (vol. 1, no. 7) - Oct 1928 - “A Hairy Chested Idealist Sings”, “More Evidence on the Innate Divinity of Man”
  The Junto (vol. 1, no. 8) - Nov 1928 - “To A Man Whose Name I Never Knew”, “Swings and Swings”
  The Junto (vol. 1, no. 9) - Dec 1928 - “A Song For Men That Laugh”, “To the Evangelists”, “The Galveston Affair”
  The Junto (vol. 1, no. 10) - Jan 1929 - “Ambition in the Moonlight”
  The Junto (vol. 2, no. 2) - Jul 1929 - “Hate’s Den”, “The King and the Mallet”, “Singing in the Wind”
  The Junto (vol. 2, no. 3) - Aug 1929 - “Heritage”, “Surrender”
  The Junto (vol. 2, no. 4) - Sep 1929 - “Nectar”, “Etched in Ebony”, “Midnight”, “Sentiment”, “Musings”
  The Junto (vol. 2, no. 8) - Jan 1930 - “The Skull in the Clouds”

  The Junto (vol. 2, no. 9) - Feb 1930 - "Feach Air Muir Lionadhi Gealach Buidhe Mar Or"
_______________________

Works Cited

AMTF  A Means to Freedom: The Letters of H. P. Lovecraft and Robert E. Howard (2 vols., Hippocampus Press, 2009)
BT       Blood & Thunder: The Life and Art of Robert E. Howard (REH Foundation, 2013)
CL       Collected Letters of Robert E. Howard (3 vols. + Index & Addenda, REH Foundation, 2007 – 2015)
CLIH    Collected Letters of Dr. Isaac M. Howard (REH Foundation, 2011)
HAJ     The History of Amateur Journalism (The Fossils, 1957)
LC       The Last Celt: A Bio-Bibliography of Robert E. Howard (Berkley Windhover, 1976)
LRBO  Letters to Robert Bloch and Others (Hippocampus Press, 2015)
LRS     Letters to Richard F. Searight (Necronomicon Press, 1992)
LS        “Robert E. Howard and the Lone Scouts” by Rob Roehm, in The Dark Man (vol. 7, no. 1; 2012)
LSL      Lone Scout of Letters (Roehm’s Room Press, 2011)
PWM   Robert E. Howard: The Power of the Writing Mind (Mythos Books, 2003)
SFTP   So Far the Poet & Other Writings (REH Foundation, 2010)
THA     The Hyborian Age Facsimile Editions (Skelos Press, 2015)
TJ        The Junto: Being a Brief Look at the Amateur Press Association Robert E. Howard Partook In as a Youth” by Glenn Lord, in Two-Gun Bob: A Centennial Study of Robert E. Howard (Hippocampus Press, 2006)
UL       Uncollected Letters (Necronomicon Press, 1986)
WGP   Robert E. Howard: World’s Greatest Pulpster (Dennis McHaney, 2005)

Part 1, Part 2