5: Fan Mail and The Hyborian Age
This morning I took out a big
registered envelope with a “War Department” letter-head. I had visions of me
shouldering a Springfield already, but it was from a gentleman named Barlow, at
Fort Benning, Georgia, asking me for my autograph, for which purpose he
enclosed a blank sheet of paper and a stamped self-addressed envelope. (CL2.273)
Robert E. Howard’s interaction with the burgeoning science
fiction fandom went beyond praising his friend’s stories or receiving the
occasional solicitation for material from for inclusion in a fanzine. In “The
Eyrie” of Weird Tales and “The
Cauldron” of Strange Tales, Howard
was often picked out as a favorite by the readers who wrote in, but now that
his name (and, perhaps more importantly, his mailing address) was being spread
about by Lovecraft, E. Hoffmann Price, and others, Howard began to interact
with his fans directly.
Robert H. Barlow was perhaps the first to get in touch,
having already been a correspondent with H. P. Lovecraft and part of the
circulation list for Lovecraft’s stories. As a fan, Barlow was an avid
collector who seems to have seldom flinched from asking for autographs,
original manuscripts, and art from various writers, and a surprising amount of
the time seems to have gotten them. Howard sent Barlow typescripts of “The
Phoenix on the Sword”, “The Scarlet Citadel”, “Black Colossus”, “Iron Shadows
in the Moon”, and “A Witch Shall Be Born” (CL2.519,
3.219), as well as a letter from Henry S. Whitehead (CL3.47), but begged off parting with his collection of Hugh Rankin
illustrations (CL3.212-213, 215).
Robert H. Barlow |
Emil Petaja appears to have contacted Howard through The Fantasy Fan, or possibly a common
correspondent like H. P. Lovecraft, in late 1934. Petaja dedicated his poem
“Echo from the Ebon Isles” (also published as “The Warrior”) to Howard, who
replied:
I feel deeply honored that a poem of
such fine merit should be dedicated to me. You seem to grasp the motif of my
stories, the compelling idea-force behind them which is the only excuse for
their creation, more completely than any one I have yet encountered. This fine
sonnet reveals your understanding of the abstractions I have tried to embody in
these tales. The illustration fits the text splendidly, and partakes of its
high merit. I foresee an enviable future for you as a poet and artist. (CL3.259-260)
A commendation and encouragement that Petaja would remember
decades later, and quote in the introduction to his poetry collections As Dream and Shadow (1972). For his own
part, in response to requests for manuscripts Howard sent Petaja a copy of his
poem “Cimmeria” (CL3.260), as well as
an unknown manuscript, on the back of which was written the draft to “Black
Canaan” (CL3.304). Their
correspondence lasted at least a year, with Howard offering general praise,
encouragement, and thanks, adding in their final extant letter:
I am much interested in the magazine
you and Mr. Rimel are contemplating launching; I wish you the best of luck with
it, and would be more than glad to contribute to it. (CL3.369)
Such offers to fanzines were genuine, though Howard
continued to focus on paying markets, and Howard seemed just as happy to answer
questions as he was to provide rejected stories. One fan, Alvin Earl Perry, was
a regular reader of Weird Tales and a
great fan of Conan the Cimmerian, who landed several letters in “The Eyrie”
which Howard could not have missed, particularly one plaudit from the October
1934 issue:
Robert E. Howard held me enthralled
throughout his masterpiece, The Devil in Iron.
With each succeeding tale Howard becomes better; his unique character, Conan,
is the greatest brainchild yet produced in weird fiction, even overshadowing
Moore’s Northwest Smith and Quinn’s dynamic little Frenchmen, Jules de Grandin.
Yet, despite Howard’s fine work, I believe that the best tale in the current WT
is The Three Marked Pennies. (WGP 60)
In 1935, Perry wrote to Howard, as well as E. Hoffmann Price
and A. W. Bernal, seeking biographical information for a series in the Fantasy Magazine, and Howard obliged
with a letter of his own, which became “A Biographical Sketch of Robert E.
Howard”, published in July 1935.
The final, and arguably the most important, fans to contact
Robert E. Howard were P. Schuyler Miller and Dr. John D. Clark, who had
collaborated on “A Probable Outline of Conan’s Career”, one of the premier
efforts in Howard studies. Miller had written Howard in early 1936, and the
Texan replied in a letter dated 10 March 1936, providing many additional
details and ruminations regarding the Cimmerian, as well as a copy of Howard’s
own essay, “The Hyborian Age,” which the Phantagraph
had begun to serialize in February. (CL3.428-431)
Howard’s death in June threw off the serialization of “The
Hyborian Age,” which was never completed. Donald Wollheim and Wilson Shepherd
planned to issue the complete “The Hyborian Age” as a separate booklet (LRBO 280, 334, 338, 353), and then
considered a book publication of Howard’s fiction, which Lovecraft provided advice
on until shortly before his own death in 1937. (LRBO 362, 364, 365, 367, 370) Finally, Wollheim collaborated with
John Michel, Forrest J. Ackerman, Russell Hofkins, and Myrtle R. Douglas to
published the whole of “The Hyborian Age” as a chapbook, including Miller and
Clark’s “A Probable Outline of Conan’s Career.” (THA viii)
Bob Howard was survived by his father, who seemed to be
little aware of his son’s dealings with fandom. In 1943, a copy of The Hyborian Age was provided to
Howard’s father by E. Hoffmann Price, who noted:
The publishers, Hodgkins, Wollheim,
Ackerman, Michel, are—at least, Wollheim and Ackerman were—leading fantasy
fans, outstanding collectors and fanciers of weird fiction. Probably all or
most of them are now in the army. I no longer hear of them, or from them. But
the opinions these people have assembled in this booklet regarding Robert’s
work are widely share; this is a fair & representative expression of
esteem. So I am happy to offer it to you. (CLIH
188)
Robert E. Howard’s death was not the end of his appearance
in the fan papers; his posthumous career began with a memorial from H. P.
Lovecraft in the Fantasy Magazine and
the installments of “The Hyborian Age” in the Phantagraph, but came to include previously unpublished poems,
letters, and stories. In the decades to come, an amateur press association and
fanzines dedicated to Howard and his creations appeared, and would proliferate,
continuing to the current day. In a real way, Howard’s involvement with amateur
journalism, culminating in his association with the growing fandom community,
would help to establish his legacy as much as his professional fiction.
Works Cited
AMTF A
Means to Freedom: The Letters of H. P. Lovecraft and Robert E. Howard (2
vols., Hippocampus Press, 2009)
BT Blood
& Thunder: The Life and Art of Robert E. Howard (REH Foundation, 2013)
CL Collected Letters of Robert E. Howard (3
vols. + Index & Addenda, REH Foundation, 2007 – 2015)
CLIH Collected
Letters of Dr. Isaac M. Howard (REH Foundation, 2011)
HAJ The
History of Amateur Journalism (The Fossils, 1957)
LC The
Last Celt: A Bio-Bibliography of Robert E. Howard (Berkley Windhover, 1976)
LRBO Letters
to Robert Bloch and Others (Hippocampus Press, 2015)
LRS Letters
to Richard F. Searight (Necronomicon Press, 1992)
LS “Robert
E. Howard and the Lone Scouts” by Rob Roehm, in The Dark Man (vol. 7, no. 1; 2012)
LSL Lone
Scout of Letters (Roehm’s Room Press, 2011)
PWM Robert
E. Howard: The Power of the Writing Mind (Mythos Books, 2003)
SFTP So
Far the Poet & Other Writings (REH Foundation, 2010)
THA The
Hyborian Age Facsimile Editions (Skelos Press, 2015)
TJ “The Junto: Being a Brief Look at the
Amateur Press Association Robert E. Howard Partook In as a Youth” by Glenn
Lord, in Two-Gun Bob: A Centennial Study
of Robert E. Howard (Hippocampus Press, 2006)
UL Uncollected
Letters (Necronomicon Press, 1986)
WGP Robert
E. Howard: World’s Greatest Pulpster (Dennis McHaney, 2005)
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