Conan and the Acolyte: Robert E. Howard and F. T. Laney by Bobby Derie

I had previously read the January or February 193[7] WT with a Rimel story in it, and had been utterly unimpressed.— F. T. Laney, Ah, Sweet Idiocy! 2

Weird Tales, Jan. 1937

Duane W. Rimel’s story “The Disinterment” appeared in the January 1937 issue of Weird Tales; if Francis Towner Laney read the magazine through to ‘The Eyrie’, the letters pages of the magazine, he would have run across Clifford Ball’s “In Appreciation of Howard”—an homage to Robert E. Howard, the Texan pulpster who had died the year before. That would likely have been his first introduction to Howard.

F. T. Laney occupies an odd place in Howard scholarship. He missed the period when Howard was actively writing and didn’t come to pulp and fantasy fandom until about 1939. He rose to prominence in the early-to-mid 1940s as a member of the Los Angeles Science Fiction Society, the Fantasy Amateur Press Association (FAPA), and as editor and publisher of The Acolyte fanzine (1942-1946), which was devoted primarily to H. P. Lovecraft. Yet being where he was when he was, and a vocal part of fandom, Laney ended up being at the confluence of a good deal of Howardian interest and ended up playing a silent but important role in Robert E. Howard’s legacy.

In the course of being an editor of a Lovecraft-oriented fanzine and searching out material, Laney came into contact with a number of Lovecraft’s correspondents, including Clark Ashton Smith, Duane W. Rimel, F. Lee Baldwin, Emil Petaja, Fritz Leiber, H. C. Koenig, Nils H. Frome, R. H. Barlow, August Derleth, Donald and Howard Wandrei, F. J. Ackerman, E. Hoffmann Price, and Stuart M. Boland; many of whom were also correspondents with Robert E. Howard, and it was largely through these contacts that Laney became in contact with things Howardian.

Laney got in touch with F. Lee Baldwin through their mutual friend Duane W. Rimel, and beginning in December 1942 Baldwin began working on material for The Acolyte, both in terms of a regular column (“Within the Circle,” a continuation of Baldwin’s column from The Fantasy Fan in the ‘30s), and writing to former pulpsters and their correspondents for material. (Laney 13) As part of this mailing campaign, in early 1943 Baldwin contacted Robert E. Howard’s friend F. Thurston Torbett, looking for information on Howard for a potential article, which can be read in F. Thurston Torbett and F. Lee Baldwin on Robert E. Howard. The correspondence stretched into 1944, and Baldwin’s article on Howard never appeared, nor did he mention the Texan in any of his other articles in The Acolyte.

CAS, Laney, & Bob Hoffman, circa 1940s

In November 1943, Laney moved to Los Angeles, California, where he met pulpsters like Emil Petaja and Fritz Leiber, and fans like Forrest J. Ackerman. Robert H. Barlow, the young literary executor of Lovecraft’s estate, had moved to San Francisco in 1938-1939, where he began attending university and indulging in fan projects, including one small press-effort to publish a collection of Robert E. Howard’s poems. Barlow began contributing to The Acolyte with the Summer 1943 issue, though his only direct contribution regarding Howard would be the Barlow-Lovecraft satire “The Battle That Ended the Century” (The Acolyte Fall 1944); more on Barlow and Howard’s can be read in The Two Bobs: Robert E. Howard and Robert H. Barlow.

E. Hoffmann Price had returned to his native California in 1934, stopping along the way to visit Robert E. Howard in Cross Plains, Texas, and settling near San Francisco. He became a friend and correspondent with Barlow; who even visited Price accompanied by an aged James F. Morton in 1939. (BOD 53, 355-357) It is not clear when exactly Laney got in touch with the native Californian but a letter from Price to Laney, dated 22 July 1944, on the subject of Robert E. Howard, was published in The Acolyte #9 (Winter 1945). This may have been inspired by Price’s essay “Robert E. Howard” in the fanzine Diablerie #4 (May 1944), as Laney was a friend of the publisher Bill Watson (Laney 31), or maybe it came from the same place as F. Lee Baldwin’s questions to F. Thurston Torbett.

Whatever the case, Price began contributing letters to The Acolyte, beginning with The Acolyte #7, then the letter concerning Howard in #9, and letter in #10 (Spring 1945) announcing the death of Dr. Isaac M. Howard:

Clark Ashton Smith: The Emperor of Dreams

The first feature-length documentary about the visionary fantasy writer, poet and visual artist.

This looks like an excellent project, and there has never been a documentary released about Clark Ashton Smith. The film looks at the life of Clark Ashton Smith, his work, and his influence. Fans and scholars interviewed include: Donald Sidney-Fryer, S. T. Joshi, Harlan Ellison, etc.

This project is important because Clark Ashton Smith is important. He was a pioneering creator of stories in multiple genres: fantasy, horror, supernatural fiction and science fiction. As a poet he was hailed as the Keats of the West Coast when his first book of poetry, The Star-Treader and Other Poems, came out in 1912, when he was just 19 years old. He was a member of the California Romantic tradition along with Ambrose Bierce and his poetic mentor, George Sterling. And, as a friend and correspondent of writer H.P. Lovecraft, Smith's life and work should be of interest to the many fans of the creator of The Necronomicon and Cthulhu! He also deserves regional recognition in the Northern California foothills, as he was nearly a lifelong Auburnite who was known as the "bard of Auburn."  I hope to show the film in Sacramento, Auburn, Placerville, and other venues in the Gold Rush area. 

The project only has around two weeks remaining. Check it out, it looks really good.

Advocating the Need for Critical Research: Robert E. Howard in Academia by Todd B. Vick

When I first read Tower of the Elephant back in 1981[1], I never imagined that 34 years later I'd be reading that work again with a critical mind and, using it as resource material for an upcoming article about Conan the Cimmerian for the 2016 PCA/ACA (Popular Culture Association/American Culture Association) conference in Seattle, Washington. But over the last 34 years, that is exactly where Robert E. Howard’s stories have migrated—to critical academic studies. In too many ways, this trend has been slower than a snail traveling through peanut butter. Additionally, many Howard fans have resisted the transition of their favorite author being placed under the academic microscope; sometimes with ardent vituperation against such a thing.

But, studying Howard and his works is, perhaps, not the ruination many have claimed it might be. In fact, I’m fairly confident the opposite will occur. REH criticism and studies will only elevate Howard to 1) a larger and broader audience, and 2) to greater opportunities for more material being published about Howard and his works, thus making the man and his work more important. More important than what, you might ask? The hard and fast answer: more important than being merely delegated to a hack pulp fiction writer. Robert E. Howard is anything but a hack writer. Of course, not all of Howard’s material is actually worthy of academic consideration, but a lot of it is. Additionally, there is a long history of pulp (popular) writers who have transitioned from being called “hacks” to being studied: Alexandre Dumas, Charles Dickens, Edgar Allan Poe, Jack London, H.P. Lovecraft, Ray Bradbury, and many others.

Marquette University

When I entered Marquette University back in August of 2001 to work on a Ph.D in philosophy, the graduate school had one professor who was in the process of getting a book published titled Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale.[2] At the time I thought that was rather strange. Here I had just wrapped up my Master’s degree, was entering into a prestigious university to complete my education on what I considered a serious field of study and one of my professors was working on the philosophical aspects of a comic book character/television show. At the time I honestly thought this was crazy, but when he later told me that there was a whole branch of popular culture studies doing that very thing (PCA/ACA), and it was gaining in popularity, I stopped to ponder the possibilities. Years later, in 2012, when I attended my first Robert E. Howard Days and Jeff Shanks discussed his recent trek to the latest PCA/ACA conference, my ears immediately perked up. I remembered what my former professor told me back at Marquette. I got excited. Here was a great way to dig my heals into something I had been interested in since back in 1981 when I first encountered The Tower of the Elephant. I must admit, it has been an uphill climb ever since.

Here’s what I mean by uphill climb. I went home from that 2012 REH Days and began to try and dig up academic material on/about Robert E. Howard. At the time, there was scant material available. What was previous published several decades ago was difficult to find. When I did manage to find it, the sellers asked for enormous amounts of money. Bottom line: it was very frustrating. So, I did what any hardcore fan would do, I kept searching. I hoped that eventually I would encounter a listing for one of the half dozen academic books that had actually been published since 1984. Sure enough, I ran into an inexpensive copy of The Dark Barbarian edited by Don Herron. When the book arrived, it was not what the seller had advertized, so I quickly complained and ended up getting the book for free. That was a nice break. The book that was sent to me was an ex-library copy. Let me stress this: An EX-LIBRARY copy. The library was getting rid of it probably because it had not been checked out in a decade or longer. While I was happy to get a copy of the book, the fact that the Tacoma Public Library was getting rid of it was a good sign that it was 1) outdated, and 2) no longer being checked out or used. I say all that to say this.

From 1984 to 2012 when I first began searching for academic material on Howard, only a handful of material had been “published.” I put published in quotation marks because much of that material was published independently and not widely available. In 2012 when I began looking, here’s what was available[3]:

1. The Dark Barbarian edited by Don Herron. This book is the granddaddy of REH criticism. I’m using the term granddaddy in the sense that it is the first and oldest academic work out there (published in 1984). Many libraries are now selling their copies off. Since 2012, I’ve seen dozens of other ex-library copies at various online book seller’s sites. While this book is very important, it is also old for an academic book. Since 1984 there has been so much more information uncovered and written about Robert E. Howard (especially from 2012 to the time of this article in 2015). This means that this book is 1) becoming more and more outdated and thus in several ways obsolete, and is 2) in need of a revision or an updated version with newly written material.
   
2. Cromlech: The Journal of Robert E. Howard Criticism edited by Marc A. Cersini & Charles Hoffman. This series (which only includes 3 volumes over a three year period) was first published in 1985. It was, however, published independently and is extremely difficult to find today. The first volume of this series actually contains what is considered to be the first academic essay[4] ever written[5] on/about one of Robert E. Howard’s characters—Conan the Cimmerian. This series ended after volume three was published in 1988.
3. The Dark Man Journal: The Journal of Robert E. Howard Studies edited by Rusty Burke. This academic journal was the brainchild of Rusty Burke with the help of Marc Michaud. Unfortunately, the journal was not well received by fans when it was first released back in 1990. That’s correct, REH fandom lamented that this type of academic journal would be the ruin of Robert E. Howard. Fortunately (no surprise at all) that never happened and the Journal, under the editorial work of Mark Hall, is still alive and kicking today. Also, back issues are fairly easy to find, and you can usually get them for about $5.00 to $10.00.

All the above, along with a few intentionally unmentionable works prior to 1984, were what fans and would-be-scholars of REH had to work with from 1984 to 1990 (and pretty much into the early 2000s). Each of these works are important in their own way but are scarce (or very expensive) and a bit dated for academic works. Moreover, if you go to a university library or public library you’ll be out of luck.[6] As for biographies about Howard, only three existed from 1976 to 1986 that could actually be called biographies: The Last Celt edited by Glenn Lord, Dark Valley Destiny by L. Sprague de Camp, and One Who Walked Alone by Novalyne Price Ellis. From 1986 until 2006 no other biographies existed (except for a brief biography by Rusty Burke). Then, in 2006 (20 years after Novalyne Price Ellis’ One Who Walked Alone) Mark Finn published Blood & Thunder: The Life & Art of Robert E. Howard. The biographical arena for REH Studies is still very much wide open and in great need of additional attention.

Additionally, about a decade or so ago, as everyone should know, Del Rey published eleven volumes of Robert E. Howard’s work. All of these works were published in their original publication format and each edition included nice introductions and appendices with academic essays. Moreover, the Del Rey series in itself was an academic achievement and to that end are crucial in furthering REH studies[7].  So, getting Howard’s primary works is quite easy. But, secondary works, which is what many scholars also use when doing research, are hard to come by. Fortunately, this scarcity and difficulty is slowly changing. Since my first visit to REH Days in 2012, several academic collections that include works on/about Robert E. Howard have been published. All of these are readily available at any university or public library (esp. through interlibrary loan).

Since 2012, these are the academic collections that have included works on/about Robert E. Howard:

1. Pulp Fiction of the 1920s and 1930s (Critical Insights) edited by Gary Hoppenstand. This work actually contains a wide variety of essays (chapters) on various pulp fiction writers and a wide variety of topics. Jeff Shanks has an article in this collection titled History, Horror, and Heroic Fantasy: Robert E. Howard and the Creation of the Sword-and-Sorcery Subgenre. I recently managed to find a copy for a meager $13.95 from an online seller. However, you don’t even have to buy this book since it is fairly easy to get a reading copy (bound or ebook) through interlibrary loan.
   
2. Undead in the West I & Undead in the West II edited by Cynthia J. Miller & A. Bowden Van Riper. Both these volumes cover all kinds of weird western works from the pulps and otherwise. Jefferey Shanks and Mark Finn have a collaborated essay (chapter) in volume two titled Vaqueros and Vampires in the Pulps: Robert E. Howard and the Dawn of the Undead West. Once again, I managed to find both these volumes for just under $30.00 each. But both are available in university and public libraries.
3. Conan Meets The Academy: Multidisciplinary Essays on the Enduring Barbarian edited by Jonan Pridas. This edition is one of the first academic works to solely focus on Howard’s character, Conan the Cimmerian. Jeff Shanks & Frank Coffman (mainstays in REH studies) have chapters in this volume. The book covers a wide variety of topics from Hyborian Age archaeology to Statistics in the Hyborian Age (Stylometry in REH’s stories) to issues of masculinity and video gaming.
4. J.R.R. Tolkien, Robert E. Howard and the Birth of Modern Fantasy by Deke Parsons.  This work is a part of the “Critical Explorations in Science Fiction and Fantasy” series (47) and takes a look at the birth of modern fantasy via Tolkien and Howard.
5. Race and Popular Fantasy Literature by Helen Young. I have only read the first chapter of this work, but it is available at the University of Texas at Arlington library (and other university libraries as well), so I’ll be reading the full book soon. Young deals with the issue of race in the works of Howard and Tolkien.
6. The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror edited by Justin Everett and Jeffrey H. Shanks. This is a newly published collection of academic essays on the history of Weird Tales (the pulp magazine) and its authors (e.g. H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith). Topics range from the first decade of Weird Tales, the Lovecraft circle, to Lovecraft and postmodernism and world building and gender studies in Weird Tales. 

The above are six (actually #2 counts as two, so seven) good examples of newly published academic works in REH (and Weird Tales) studies that have been published since 2012.[8] I am sure I have missed a few. The good news is, this list will only continue to grow. Even so, the crucial element in academic works is their easy availability. Do university and public libraries have them on their shelves, or at least have the ability to get them? The broader a works availability, the more often it will be accessed and used (cited from).

Moreover, as all the above six (actually seven) volumes have been published, the Dark Man Journal also continues to be published. But, as with any good peer reviewed academic journal, The Dark Man Journal needs to be listed on JSTOR (short for Journal Storage). The last time I checked on their site, it was not present. Why is this important? For two reasons: first, all university libraries access this site, and second, the public also has access to the site now. Back when I was at Marquette, JSTOR could only be accessed by universities, that has changed since then. This is also one of the go to places for academic research using journals, and there are millions of academic journals out there. Once The Dark Man Journal is on JSTOR, that will help open a larger door for a solid academic reference for REH Studies.[9]

A few months back several other things happened in the arena of REH Studies that is a plus. First, The Dark Barbarian & The Barbaric Triumph were put in eBook format.[10] While this will make it much more affordable for interested parties to obtain a copy, it still does not help those two works presence in university or public libraries. Most university students doing research will track a book through their library first. Plus, Don Herron did not update or improve either of the two volumes. Second, Brian Leno, who used to post regularly on the Two-GunRaconteur (TGR) website,[11] also released an eBook of some of his best material[12] titled Lovecraft’s Southern Vacation: A Robert E. Howard LitCrit Triple Punch Pack. I recently ordered a copy and look forward to reading its contents.[13]

So, all in all, REH studies & criticism is on the rise. A lot of first rate material is being released, and I know there will be even more in the future. And, despite the naysayers, these kinds of work will only increase Howard’s popularity amongst readers who may have never heard of him nor read any of his works. But more importantly, REH Studies will also help insure that future readers and researchers will be established to help carry the works of the Texas tale-spinner into the future.

Notes:

[1] I first read Tower of the Elephant from an Ace paperback edition titled Conan with Frank Frazetta's cover art for the story Rogues in the House. Howard, Robert E., De Camp L. Sprague, and Lin Carter. Conan. New York: Ace, 1967. Print.

[2] South, James B., ed. Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale. Chicago: Open Court, 2003.

[3] I use “available” loosely here, since most of this material was next to impossible to find.

[4] Conan the Existential by Charles Hoffman. An interesting fact, Charles Hoffman was the guest speaker at my first REH Days back in 2012. He discussed this work in detail in one of his panels. This led me to track down the Cromlech 3 volume set. It took me 2 years to actually find a copy of the set.

[5] It could be debated that the first real academic essay ever to be written on/about Robert E. Howard (or one of his characters) belongs to P. Schuyler Miller and John D. Clark, Ph.D. titled A Probable Outline of Conan’s Career published in 1938. A copy of that essay can be obtained through Jeffrey Shanks’ Skelos Press (www.Skelospress.com)

[6] With the exception of The Dark Barbarian. However, several libraries told me they no longer had a copy (I’m sure they sold theirs) and they were not able to get it via interlibrary loan due to it becoming scarcer.

[7] Easily accessible primary materials are crucial in any academic endeavor. The Del Rey collection did a fine job of replacing the older Lancer/Ace works and pastiches (and the various textual interpolations).

[8] I should note here that back in 2008, S.T. Joshi published a work titled Barbarism vs. Civilization: Robert E. Howard and H.P. Lovecraft in Their Correspondence. This article first appeared in the journal Studies in the Fantastic No. 1, Summer 2008.

[9] From my understanding, or at least I’ve heard it through the grapevine, Mark Hall is in the process of getting The Dark Man Journal on JSTOR.

[10] These two works can be purchased together strictly on Kindle eReaders.

[11] From my understanding, Brian has recently requested his material be removed from TGR. This is quite unfortunate, especially since he seemed to have a fairly solid following on that site. I used to read his material faithfully at TGR.

[12] You can get this latest release only on Kindle eReaders.

[13] I cannot speak of its academic prowess, but all the previous essays I’ve read from Brian Leno have been first rate and well worth reading.

Robert Ervin Howard (January 22, 1906 – June 11, 1936)

Today marks the 77th anniversary of the death of Robert E. Howard. 

I raise my glass to REH a wonderful writer of prose and poetry. Cheers!

The Robert E. Howard House and Museum and REH Days

If you have never visited Cross Plains, Texas to see that tiny little home off of highway 36, you are missing out on a truly historic place. On the western edge of Cross Plains sits the small one bedroom house where the greatest pulp fiction writer of the 20th century lived and dreamed. If it were not for the neat picket fence and historical marker in the front yard, the house would inconspicuously sit there off the main highway.


My first visit to the Howard home was back around 1982 or '83. At that time someone was living in it, and it looked quite different than it does today. The paint was peeling, the fence drooped, and the yard needed to be cut. There was a large pecan tree in the front left corner of the yard that is no longer there today. But you know what? I was 16 or 17 years old and I was staring at one of my favorite author's house. For me that was all that mattered.

I didn't see the house again until around 2002. That was when I found out that a group of Howard fans met there every year for what was called REH Days. I was with my step-father, we stopped by the Cross Plains Public Library to see copies of REH's original manuscripts. Unfortunately, I cannot recall the person I spoke with, but she gave me some literature on the house and REH Days. I had promised myself I would attend. On this trip, we were unable to find the person who gave the tours, so I was not able to go into the house. But, seeing facsimiles of REH's manuscripts was awesome.

Another visit to the house included my sister. Shortly after my step-father died, we were in our hometown (Abilene) taking care of estate issues. The trip I took with him to Cross Plains came up in our conversation and we decided to stop off in Cross Plains on our way back to Dallas. It was fairly early in the morning when we arrived. On this trip, there was a new pavilion that had been built next to the house on the old Butler property. There were several people at the pavilion, so my sister and I walked up to greet them. A guy was taking camera equipment out of a large bag, so I chatted with him about what was going on. He told me they were about to film a documentary about REH Days. Realizing that REH days for that year began the next day, I turned to my sister and explained to her what it was and how the person at the CP Public Library had given me information on it.

The camera man asked if we were in Cross Plains to attend. I said we were just passing through. I had to get my sister back to Dallas so she could catch a flight to Minnesota (where she lived). But inside I was screaming at myself for having to miss it. We asked if there was someone around who could let us into the house. Several people made calls, found someone, but it would be a few hours. We could not wait that long and had to leave. I thanked the guy for helping us and wished them luck on their documentary. I found out a few years later that this was the documentary crew I had met that day.

Once again, in that "lost decade" from first finding out about REH Days (in 2002) to this year when I finally attended, I missed out on all the fun. I was so close to attending the year I visited with my sister.

Around 2008 or '09, and I cannot remember the exact year, I finally told my wife that I had missed out on simply trying to visit Cross Plains and see the inside of the Howard home. So I told her to pack her stuff. "We're going!" I said. "Going where?" she asked. "To Cross Plains!" You have to understand, my wife is not a "spur of the moment" kind of gal. She likes to plan things, be prepared. So this was out of her comfort zone. But she did it. We jumped in the car, drove to Cross Plains, and decided to stay the night while we were there. 

We arrived in Cross Plains and immediately booked a room in the tiny motel adjacent to the pavilion on the Butler property. The Motel was called 36 West Motel. We then visited the public library, found a person who could let us into the house and set up a time for us to visit: 9 a.m. the following morning. So, here we were in tiny Cross Plains, Texas trying to decide what we could do. We hung out in the library for a few hours then grabbed a bite to eat, and went back to our motel room. I might add that the rooms in the 36 West Motel are paper thin. Seriously, you can hear everything outside and in the next room. My wife got a kick out of the motel because it reminded her of her grandparent's motel in Waxahachie, TX called The Drifter's Inn.

The next day, we took a tour of the house. Finally, I actually got to see inside REH's home. Believe me when I say this, I was in awe. The house is set up complete with furniture, books, pictures in the hallway, memorabilia in the kitchen, etc. The person giving us the tour provided us with a nice history of the house, explained which items actually belonged to the Howard's, and then let me enter REH's small nook of a bedroom to see the area where he worked.

The first visit is difficult to explain. All kinds of emotions were coursing through my being. To actually be in the very room where Howard created his characters, hammered his prose on his Underwood No. 5, is an experience that, well, you can only experience for yourself. At this point, I'd been reading Howard's work for three decades, so seeing his work space was like seeing the holy grail of fiction.

I was so impressed with this visit, I talked it up to my best friend. So, the next visit I made to the house was with him. I cannot remember the date we went (I think it was sometime in 2010).  But, we did sync our work schedules, set up a tour with a guide and decided to take a one day road trip. We arrived at the designated time, met the guide at the house and took the tour. I had introduced my friend to Howard a few years before, so he had already read several of the Conan stories. He had also heard me talk about Howard for years before this visit. When we were there he bought a Del Rey copy of The Coming of Conan the Cimmerian. We stayed in the house for a couple of hours and talked to the tour guide about all the people from around the world who had visited the house over the years. Then she took our picture in the shop at the back of the house.

The tour guide also talked about REH Days. I explained to her that I had been meaning to attend the last few years but never made the time. She gave me a much needed lecture on why I ought to attend and I merely nodded my head in shame.

After this trip, I talked about the REH house and museum with my brother. He was so compelled by what I was telling him he wanted to see the place for himself. This visit was on 6/20/2011. Notice the date? It is just after the 2011 REH Days. My brother was in town for a weekend, I had just been laid off as a teacher/aide by the State of Texas and was looking for a new job. Because I needed to "get away," we planned this trip around our schedules. My father wanted to tag along, so he went with us; not an easy trip for him, he was 75 at the time. We set up another tour of the house and decided to stay for the day. We took several pictures while we were there. Below is one of the pictures taken just outside the Cross Plains Public Library and on the front porch of the house.

That same trip, we visited REH's grave site at the Greenleaf Cemetery, in Brownwod, TX (where C. M. Grady, the famous Texas Ranger is also buried). After this visit, my brother was so impressed, he talked about attending the REH days the following year. We did. So, in 2012, I finally attended my first REH Days—ten years after finding out about it. Being in the house with other serious Howard fans is a real treat. Hearing how they were introduced to Howard's work while standing in the very place Howard created that work is an experience I'm not able to put into words.

If you have wanted to visit the Howard House and Museum and/or attend REH Days in Cross Plains, TX, don't do like I did and put if off. I  regret having so many near misses, and not rearranging my schedule to attend REH Days. Seeing the house and attending REH Days is like no other experience. So, if you have a chance, utilize every effort to make it happen. You'll be so glad you did. I promise.