[Some considerable work has been done by Howard scholars Dr. Charlotte Laughlin, Glenn Lord, L. Sprague de Camp, Steve Eng, and Rusty Burke to identify the books that comprised Robert E. Howard’s personal library, based primarily on the holograph list of books that Dr. I. M. Howard donated to form the Robert E. Howard Memorial Collection after his son’s death, as well as Robert E. Howard’s surviving letters and papers. Among these books are a number of works of erotica or curiosa which, while not pornographic to contemporary tastes, were nevertheless concerned with some aspect of sexuality (usually from a scholarly or pseudo-scholarly perspective) and were often treated as such. It is interesting to see, based on these books, what light if any they can shed on Howard’s life and work.]
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The Merry Order
of St. Bridget (1868)
by Margaret Anson (James Glass Bertram) is a flagellation novel by the author
of A History of the Rod, with most of
the whipping occurring between women. The
Misfortunes of Colette (1930), published for subscribers only, may have
been a Gargoyle Press title; a translation of a 1914 French erotic novel about
a couple that works to keep Colette in servitude via various tortures. Closely
related is Presented in Leather: A
Cheerful End to a Tearful Diary (1931) by Claire Willows, where a girl
named Flora is imprisoned and tortured by her aunt, waiting for rescue. It is
not impossible that one of these works helped inspire Howard’s idea of
“lesbianism” being expressed in such a violent fashion.
Painful Pleasures (1931)
is an anthology of flagellation anecdotes culled from French sources,
translated by W. J. Meusal and published by Gargoyle Press, which specialized
in flagellation literature, advertised in the pulp magazines, and sold by mail.
(Gertzman 76) Another Gargoyle Press title on Howard’s list is The Strap Returns: New Notes on Flagellation
(1933) by Anonymous (Samuel Julian Wegman and Sydney Frank), which consists
of a number of accounts of corporal punishment ostensibly taken from American
and European newspapers.
Nell in Bridewell: The
System of Corporal Punishment in the Female Prisons of South Germany Up to the
Year 1848, A Contribution to the History of Manners (Burke notes the 1900
first edition, but the 1934 reprint seems more likely) by Wilhelm Reinhard is another
quasi-historical work of corporal punishment, translated from the German.
Tracts of Flagellation (1930)
is a privately printed collection of flagellation works reputedly taken from
the library of English antiquarian Henry Thomas Buckle (hence Howard’s note):
1. Sublime of Flagellation; 2. A Treatise of the Use of Flogging in Venereal
Affairs; 3. Madame Birchini's Dance; 4. Fashionable Lectures; 5. Lady
Bumtickler's Revels; 6. Exhibition of Female Flagellants in the Modest and
Incontinent World; 7. Part the Second of the Exhibition of Female Flagellants.
The assertion “by George Colman” may be due to some editions of Tracts including the epic erotic poem The Rodiad (1871), which was falsely
attributed to George Colman the Younger in, among other places, Curiosa of Flagellants. Howard’s entry
for The Rodiad directly below Tracts likely suggests he was either
unaware of this, or else the catalogue or advertisement he was referring to did
not make it plain.